Photograph by Wayne Lawrence.
George Packer (The New Yorker):
Until this fall, Ray Kachel had lived virtually all of his fifty-three years within a few miles of his birthplace, in Seattle. He was a self-taught Jack-of-all-trades in the computer industry, who bought his first Mac in 1984. He attended Seattle Central Community College but dropped out; not long afterward, he was hired by a company that specialized in optical character recognition, transferring printed material into digital records for storage. Eventually, Kachel was laid off, but for a long time he continued to make a decent living; keeping up with advances in audio and video production, he picked up freelance work editing online content. He also programmed and played keyboards in a band, and had a gig as a night-club d.j.; sometimes, between technology jobs, he worked in his adoptive parents’ janitorial business. He spent his money on a few pleasures, like microbrewery beer and DVDs. His favorite movie was “Stalker,” the 1979 sci-fi film by Andrei Tarkovsky. “Three guys traipsing through the woods—it’s visually and aurally very, very strange,” Kachel said. “Tarkovsky is famous for painfully long takes, creating an environment that’s uncomfortable without it being clear why.” MORE...
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