At its core, the new “True Grit” is often surprisingly similar to the first, despite the clashing sensibilities of their directors (Henry Hathaway, a studio utility man, did the original) and the casting of an age-appropriate Mattie (Hailee Steinfeld) in lieu of the 21-year-old Kim Darby of 1969. But what leaps out this time, to the point of seeming fresh, is the fierce loyalty of the principal characters to each other (the third being a vain Texas Ranger, played by Matt Damon) and their clear-cut sense of morality and justice, even when the justice is rough. More than the first “True Grit,” the new one emphasizes Mattie’s precocious, almost obsessive preoccupation with the law. She is forever citing law-book principles, invoking lawyers and affidavits, and threatening to go to court. “You must pay for everything in this world one way or another,” says Mattie. “There is nothing free except the grace of God.”
That kind of legal and moral cost-accounting seems as distant as a tintype now. The new “True Grit” lands in an America that’s still not recovered from a crash where many of the reckless perpetrators of economic mayhem deflected any accountability and merely moved on to the next bubble, gamble or ethically dubious backroom deal. When Americans think of the law these days, they often think of a system that can easily be gamed by the rich and the powerful, starting with those who pillaged Lehman Brothers, A.I.G. and Citigroup and left taxpayers, shareholders and pensioners in the dust. A virtuous soul like Mattie would be crushed in a contemporary gold rush even if (or especially if) she fought back with the kind of civil action so prized by the 19th-century Mattie. MORE...
Sunday, January 23, 2011
Frank Rich: "The One-Eyed Man Is King"